By Gordon Baldwin
Roger Fenton (1819-1869) used to be England’s such a lot celebrated and influential photographer in the course of the 1850s, the golden age” of this substantially new medium. Fenton’s majestic photographs of cathedrals, state homes, and sundry nation-state have been with out peer in Englandas have been his perspectives of the royal castles and homes of Parliament that embodied Britain’s energy. yet Fenton’s number of matters ranged extra greatly nonetheless: he was once one of the first to picture the Kremlin and different landmarks of Moscow and Kiev; he used to be commissioned in 1855 to record the Crimean battle, generating early battle images; and he created theatrical Orientalist gown photographs and a startling sequence of lush nonetheless lifes.
Fenton had first studied legislation and portray, yet quickly after he took up the digital camera he used to be making photos that have been technically extraordinary and hugely unique of their dealing with of composition, standpoint, surroundings, and light-weight. consistently he strove to illustrate that images may perhaps equivalent the paintings of portray or even surpass it. He was once the strength in the back of the founding of the Photographic Society (later the Royal Photographic Society), which labored to strengthen the career and inspired the exhibition of participants’ works all through Britain. In a occupation of a unmarried decade, Fenton did a lot to remodel images right into a medium of robust expression and visible delight.
This exquisitely produced bookthe first complete booklet on Fenton in virtually twenty yearspresents eighty-five of the artist’s best pictures and discusses each point of his paintings and his extraordinary career.
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Additional resources for All The Mighty World: The Photographs Of Roger Fenton, 1852-1860
Lightning war. I. Edwards, Robert. II. Title. 54'214—dc23 2012040023 CONTENTS Foreword Introduction THE INFANTRY GERMAN MOTORIZED AND ARMORED VEHICLES FRENCH AND BRITISH TANKS ARTILLERY AIRCRAFT A LARGE-SCALE BRIDGING OPERATION PRISONERS AND FORTIFICATIONS Appendix Bibliography Acknowledgments FOREWORD In the course of six weeks in the summer of 1940 beginning on May 10, the armies of France, Belgium, and Holland as well as the British Expeditionary Force—sent to the continent to support their allies—were routed by the German Wehrmacht in a stunning display of the new, modern form of warfare known as blitzkrieg.
The schweres Infanterie-Geschütz 33 was the standard heavy infantry gun in use by the heavy companies of infantry and rifle regiments at the start of the campaign in the West. In this configuration, it was mounted on the chassis of a Panzer Ib. Essentially a field-expedient solution to a vexing problem, the vehicle had both advantages and disadvantages. While it provided a degree of mobility heretofore not enjoyed by the gun and a limited amount of protection in an open-topped fighting compartment, the vehicle was top heavy and prone to mechanical malfunction, in addition to presenting a tall silhouette and not having a large amount of stowage space for ammunition.
An older-model Maxim MG 08 machine gun, generally issued to second-line and reserve units. The tragedy of war: a dead French soldier. Most French units fought bravely but were overwhelmed by the speed of the German advance. Enemy bunkers were occasionally encountered, especially along the Dyle Position that defended Brussels and the approach routes into northern France. One bunker seems to have covered an important approach route, since a great deal of effort was expended in placing it out of commission.
All The Mighty World: The Photographs Of Roger Fenton, 1852-1860 by Gordon Baldwin