By Ronald E. Peterson
The period of Russian Symbolism (1892-1917) has been referred to as the Silver Age of Russian tradition, or even the second one Golden Age. Symbolist authors are one of the maximum Russian authors of this century, and their actions helped to foster essentially the most major advances in cultural existence (in poetry, prose, song, theater, and portray) that has ever been noticeable there. This booklet is designed to function an creation to Symbolism in Russia, as a flow, a creative process, and an international view. the first emphasis is at the heritage of the flow itself. realization is dedicated to what the Symbolists wrote, acknowledged, and proposal, and on how they interacted. during this context, the most actors are the authors of poetry, prose, drama, and feedback, yet area is additionally dedicated to the real connections among literary figures and artists, philosophers, and the intelligentsia ordinarily. This vast, specific and balanced account of this era will function a typical reference paintings an inspire additional learn between students and scholars of literature.
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Additional info for A History of Russian Symbolism
Maslov) maintains that Symbolism is not necessarily "the poetry of the future," but that it can express delicate moods. He distinguishes between Symbolism and Decadence, declaring that Symbolism aspires to "hypnotize" the reader. In his conclusion to this brief introduction, he asks other poets who agree with his views to send in their poetry for future publications. The book was quickly attacked in a newspaper, but Bryusov was singled out for a little praise. 31 Bryusov prefaced this volume with a letter to an imaginary charming female reader and gave a more serious explanation of what Symbolism meant to him.
This shift to Bryusov's activities, which, took him away from the largely futile attempts to gain some notoriety and toward working more seriously in literature helped to improve his own creative skills; he also realized that he was now totally occupied with literature and would be for the rest of his life. During the period from 1896 through 1898, Bryusov traveled often in Russian and was moved to meditate on Pushkin's and Lermontov's poetry during a trip to the Caucasus. 24 Most of the book was written during his visit there in 1896; in it, Bryusov displays interests in love, wandering, and searching for ideal beauty.
And in 1898, after serious problems with censorship and prolonged financial difficulties, Severnyi Vestnik was forced to cease publication. It was the end of one period for the Symbolists, a time of expectations that began to be fulfilled around the end of 1898 and the start of 1899. The First Wave Continues In Merezhkovsky's next book of verse, New Poems, 1891-1895, there were noticeable tendencies toward decadence and Nietzsche's philosophical tenets, and away from a more traditional Christian point of view.
A History of Russian Symbolism by Ronald E. Peterson