By Langford, James Warren; Langford, James Warren; Langford, Martha; Langford, John W
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Extra info for A Cold War tourist and his camera
In the early 1960s Canadian readers of English-language newspapers received an illustrated magazine every week; photo essays, many of them generated by the National Film Board Still Photography Division, were published in newspapers across Canada. If you went to the doctor or dentist, you saw LIFE , Look, or sometimes Paris-Match. Our family subscribed to the American magazine National Geographic and the Canadian edition of Time. Martha’s earliest memory of puzzling over a news photograph belongs to Time’s coverage of the Cold War and to this project, since she sought an explanation for pictures of a wall in Germany and the pain it was inflicting from her older brother, John.
101 Lutz and Collins contrast the magazine’s style with photojournalism’s “decisive” moments. 102 Lutz and Collins’s observations are confirmed when we compare National Geographic’s and LIFE ’s representations of Nigeria, a place also visited by ndc students on their Afro-European Tour. Published in September 1956, the National Geographic story “Progress and Pageantry in Changing Nigeria” combines snapshots taken by the writer, W. Robert Moore, with photojournalism and stock images from the agencies (fig.
In keeping with the theme of containment, as well as introducing a number of species that some members would soon re-encounter in Africa, the day at the zoo was a photographic workshop for Warren Langford. He switched to Kodachrome, which fanned out its peacock tail across flamingos, black panthers, tigers, camels, seals, and a lone polar bear. The Cold Warriors are also recorded, along with their fellow visitors, a curiously adult crowd for a Saturday. In terms of Langford’s photographic experience, the site offered a breakthrough.
A Cold War tourist and his camera by Langford, James Warren; Langford, James Warren; Langford, Martha; Langford, John W